Monday 5 September 2016

Wilhelm Meister's Apprenticeship - Johann Wolfgang von Goethe

In recent years, I have been most invigorated and energized by my acquaintance with some classic German literature, in the main Hermann Hesse and Thomas Mann and, I will say, finding it more stimulating and engaging than most of the work by English writers that I have encountered in the same period.

This process has also brought me into contact with the world of Johann Wolfgang von Goethe, and I recently read his novel Wilhelm Meister's Apprenticeship, which had been lurking unread on my Kindle for some little time.

I didn't weigh myself down by seeking to determine whether this was a novel of ideas, a philosophical novel, or a bildungsroman. I am in accord with those who have noted that it defies easy categorization.

Basically, the story follows the journey of the eponymous character, as he strives to escape a bourgeois career, and initially seeks to make a career as an actor. The tension between the bourgeois and the bohemian, the worldly and the spiritual, reminded me, superficially at least, of the works of Hermann Hesse.

Particularly to a modern reader, the story does not appear stunningly original, but it is so absorbing that this is largely immaterial. The characters discuss all manner of ideas encompassing art, literature, religion, politics, philosophy and human nature.  Wilhelm's interest in Hamlet and Shakespeare serves as a kind of peg for part of the way.

The discourse is given added authenticity because the novel was composed at the time when societal and cultural ferment was acute.  This is not some idealized, misty-eyed historical novel.  This sense of realism is accentuated by the fact that the ideas do not protrude forcefully from the narrative, but tend to blend quite seamlessly into the flow of the text.  I found this to be the case especially with the gentle commentary concerning the class structures of those times.

An intriguing aspect of this novel which recurs throughout is the scrutiny of the concepts of Fate and Destiny, as they were up against notions of reason and the idea of making one's own "luck". I related sharply to the parts of the story which stressed the value of falling back on something less exalted and fanciful, and of guarding against unrealistic aspirations in life.

Women play a prominent role throughout the story, especially assertive, educated females from affluent or intellectual backgrounds. I'm not sure whether Goethe was trying to make a point in this regard, but it does endow the novel with an added dimension, and was perhaps intended as subtle social commentary.

The opening chapters engender an immersive and stimulating atmosphere, and before long I found myself genuinely caring about many of the characters and their fortunes, and also identifying with their feelings and their dilemmas. Goethe does seem to have that facility to tug at the heart-strings, and it is displayed most pointedly in the passages which deal with Wilhelm's romantic and emotional entanglements and upheavals.  His alternating anguish and ebullience certainly struck a chord.

This is one of those novels which may reveal its true and full depth with repeated readings. The intricacies of the plot and the subtleties of the characterizations may thereby be more vividly illustrated. Importantly, it has some instructive things to say about how we should improve ourselves and enrich our lives, through activity and cultivating a curiosity about the outside world, rather than lingering in introspection.

Quite a long haul, this one, but a rewarding one, and I can readily see how it has been quite influential down the decades.


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